Black to Comm - Black to Comm - Pop Rock - Vinyl

Hamburg's Marc Richter has been busy with his Black to Comm project since his last appearance under that name on Type, 2009's genre-bending and critically acclaimed Alphabet 1968 (TYPE 053 CD). Aside from helming the prolific Dekorder imprint, he's put out a number of musical curios, including 2012's excellent film soundtrack EARTH. Now Richter is back with Alphabet 1968's proper follow-up, a self-titled double album pieced together from crumbling samples, vocal snippets, and an arsenal of noise generators and filters. Richter's material has always been characterized by an air of surrealism, but it's never been more obvious than on the pulsing, chattering opener "Human Gidrah" or in the delirious, fractured pop of "Hands." There are real songs hidden in here somewhere, but they're disintegrated by Richter's sound manipulation techniques and dissolved into soupy, extended drone marathons. The centerpiece is undoubtedly "Is Nowhere," which builds slowly over 20 minutes with rumbling organ sounds and buzzing filters, never losing the listener's attention for a second. Black to Comm is a deeper, more challenging record than it's predecessor, but one which repays the patient listener. Richter's dusty, unique sound has never sounded so well-honed and pointed, and it's a patchwork of ideas and fragments that only improves over time. Mastered and cut by Matt Colton. Artwork by Andreas Diefenbach.

Hamburg's Marc Richter has been busy with his Black to Comm project since his last appearance under that name on Type, 2009's genre-bending and critically acclaimed Alphabet 1968 (TYPE 053 CD). Aside from helming the prolific Dekorder imprint, he's put out a number of musical curios, including 2012's excellent film soundtrack EARTH. Now Richter is back with Alphabet 1968's proper follow-up, a self-titled double album pieced together from crumbling samples, vocal snippets, and an arsenal of noise generators and filters. Richter's material has always been characterized by an air of surrealism, but it's never been more obvious than on the pulsing, chattering opener "Human Gidrah" or in the delirious, fractured pop of "Hands." There are real songs hidden in here somewhere, but they're disintegrated by Richter's sound manipulation techniques and dissolved into soupy, extended drone marathons. The centerpiece is undoubtedly "Is Nowhere," which builds slowly over 20 minutes with rumbling organ sounds and buzzing filters, never losing the listener's attention for a second. Black to Comm is a deeper, more challenging record than it's predecessor, but one which repays the patient listener. Richter's dusty, unique sound has never sounded so well-honed and pointed, and it's a patchwork of ideas and fragments that only improves over time. Mastered and cut by Matt Colton. Artwork by Andreas Diefenbach.

Performer	Black to Comm
Music genre	Pop Rock
Music release type	Album
Media format	LP
Language	English
Has parental advisory label	N
Number of discs	2
Series title	Alphabet 1968
Track listing	Human Gidrah, Hands, Spectre Teeth, Is Nowhere, 1975, Fackeln Im Sturm, Spiralen Der Erinnerung, Them
Record label	Type
Composer	Marc Richter
Songwriter	Marc Richter
Track name	Human Gidrah, Hands, Is Nowhere
Music media format	Vinyl Record
Is edited	N
Is enhanced	N